Young Buster was so amazed by the play, and star Nana Noodleman's performance in particular, he developed a lifelong passion for theater. When Buster was a child, he wanted to be the first koala astronaut, but this dream changed after his father took him to see the play Epiphany. Occasionally, when he’s not wearing the jacket, he wears his white shirt with its sleeves rolled up. He also wears blue pants with a black belt and brown shoes. He wears a white button-down shirt with a red bow tie covered by a blue suit jacket. He has blue eyes and gray fur with white fur inside of his ears. He is cheeky, opportunistic, and even a little pushy.īuster Moon is an anthropomorphic koala. His determination to save his theater from being shut down drives Buster to do anything and everything to do so, such as going to extreme lengths to avoid dealing with the bank, illegally siphoning power from a next-door business after his theater's electric bill shuts the power down, and stealing gallons of water from a water tower to set up a unique stage, and lying to his contestants about the $100,000 prize money (which was supposed to be only $1,000). He loves his theater and won't give it up without a fight, not only because of his love for theater, but because his father worked so hard for so long to help Buster buy the theater in order to fulfill his son's dream, and Buster keeps the bucket his father used in his car-washing business to make that dream a reality as a cherished memento.Įven when all odds seem to be against him, Buster looks for a silver lining in every cloud, no matter how unlikely or ridiculous, gives it his all, but oftentimes his refusal to quit comes back to haunt him. Buster Moon is truly the optimist he doesn't know when to quit, and believes in the concept that when you've hit rock bottom, the only way left to go is up.īuster has a sincere love for show biz, especially theater, after attending his first theatrical performance (his dreams of becoming the first koala bear in space were suddenly toast) when he was only six years old and was inspired to one day own his own theater and make his career in show business as a successful theater producer.
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Lily evolves from Victor’s puppet (mirroring Evelyn’s control over her voodoo dolls) into a being empowered by Brona’s subconscious sexual drive. Fashioned from the corpse of consumptive prostitute Brona Croft, whose death Victor assisted, Lily is another visitor from the grave come to haunt the mortal world. After constructing a female mate for his lonely “son” Caliban/John Clare (an outstanding Rory Kinnear), Victor’s desire for new creation Lily (Billie Piper) embraces abashed romance, sexual abuse, and crushing rejection. In counterpoint, the sins of the father revisit Victor Frankenstein (Harry Treadaway). The return of the repressed is his Achilles heel and, although his warm memories of Mina, Peter and wife Gladys do free him briefly from Evelyn’s influence in “Memento Mori”, she uses their deaths to trap and torment him. As a way of ensnaring Vanessa, Evelyn exploits his guilt over the death of his children and estrangement from wife Gladys. Sir Malcolm Murray’s past-his disastrous African expedition resulting in the death of his son Peter, followed by his mercy killing of vampire victim and daughter Mina-also informs the present. The city as character is underlined in Rusk’s investigation of the slaughter at the Mariner’s Inn and in the phantasmagoric crime scenes on display in another new location, Putney’s Family Waxworks. Similarly, Ethan’s lycanthrope curse (and true identity as Ethan Lawrence Talbot acknowledging Lon Chaney’s character in the classic 1941 film The Wolf Man) finds him in the sights of the Pinkertons and of new character, Scotland Yard’s Inspector Bartholomew Rusk (the stoic Douglas Hodge). Exposed as a werewolf in last year’s dramatic climax, Ethan’s immersed further into Ripper’s London, that mythical late nineteenth-century fog-bound metropolis haunted by Sherlock Holmes, Dracula, Jekyll and Hyde and Dorian Gray. I think you are the most human man I have ever known. Clare, there is around me a shroud that brings only pain. The scattering of table-top clues our characters use to decode this series’ Milton-esque medieval curse in “Verbis Diablo” and “Evil Spirits in Heavenly Places” replaces last season’s deconstruction of the hieroglyph-tattooed vampire. Logan also continues to weave detective fiction within his reworking of the Gothic genre. By the showdown of “Memento Mori” she is no longer a victim possessed by demons and is strong enough to enter Evelyn’s mansion and fight for her very soul. This retelling of her initiation as the ‘little scorpion’ redefines Vanessa. She is representative of a Christian-Judeo female consciousness struggling to regain “paradise” from a cast out demon Master determined to possess her. Logan explores Vanessa’s occult origins in “The Nightcomers”, a superbly played two-hander between Green and guest star Patti LuPone as young Vanessa’s mentor in the dark arts, Evelyn’s sister (nicknamed the Cut-Wife by local villagers). The snowbound confrontation between its two female leads, Vanessa Ives (Eva Green, enthralling as ever) and Evelyn Poole (the brilliantly matched Helen McCrory), immediately established this year’s arc. Using the reappearance of Evelyn-formerly known in her professional guise as spiritualist Madame Kali in season one-creator John Logan richly embellishes the personal histories of major players Vanessa, Sir Malcolm Murray (Timothy Dalton), and Ethan Chandler (Josh Hartnett).Īfter an initial entanglement with Evelyn’s coven of witches, Sembene (Danny Sapani), Sir Malcolm’s personal bodyguard, responds to Vanessa’s query “do you believe the past can return?” with “more than that, it never leaves us.” The past has terrible consequences in season two of Penny Dreadful and previous misdemeanours and indiscretions, sins and betrayals, return to haunt them all. Penny Dreadful’s second season opener “Fresh Hell” effectively restates the show’s modus operandi. They start, finally, tossing on words indicating division: semiquaver, using the Latin for ‘half’ demisemiquaver, adding the French for ‘half’ and then, with the corresponding Greek prefix, hemidemisemiquaver. But, ah, now, what do those note-namers call them? Fillip, twitch, flick? Nope. It comes from Old English cwafian‘quake, tremble’, and is related to German quabbeln ‘quiver’.īut if you think a quaver is quivering, well… If you can add one flag, you can add two, and make a sixteenth note, or three, and make a thirty-second note, or four, and make a sixty-fourth note. Same word.īy the way, does quaver look Latin to you? It looks Latin to me. And then the note that represented a half of an actual four-in-a-bar beat, what the fraction-naming people call an eighth note, was a quaver, because, well, it was a little twitch or trembling in the music. And then half of that was a crotchet, probably because it looks (or looked) like a hook (think of that next time you crochet something). So half a semibreve, what North Americans call a half note, got the name minim, because it was minimal. The hierarchy of rhythm was getting more involved. Yes, during the baroque and classical eras, the composers started adding quicker and quicker notes, partly because there was a good way of indicating them to the musicians, but also, the conception of a bar was changing. And then it came to be that just one of those short ( breve) notes signified a whole bar, and you started adding stems to note marks and filling them in and adding flags to the stems to indicate shorter and shorter notes. That’s right, two whole notes was a short note.Īnd this is where, long before being introduced to physics, I started to understand that time is relative.īack when music first started being written in bars (and drawing rooms and studios, but bars are where the liquid inspiration is), those long notes really were normal notes. Wait, what? So a breve is two whole notes? Yeah! And if you’re a word-oriented person like I was (and am), you will think, “Wait, breve looks like it means ‘brief’, as in ‘short,’” which in fact it does. But then, if you learn as I did, you also learn that they have these fancy-ass names, apparently from the same people who gave us pounds, shillings, pence, halfpennies, farthings, and all that stuff. The ones with tails that are half of those are eighth notes. The notes that are a beat each are quarter notes. But no! It names a note the length of a whole bar. If you’re first learning music in Canada or the US, the odds are not bad that you will think that whole note ought to refer to one of those four black notes with stems that populate a bar. So what would make sense for us to call those? On the other hand, sometimes you split those one-beat notes in half or even quarter. Sometimes you have just one four-beat-long note for a bar. Sometimes you join those notes together to make a double-length note. “common” time, marked with a C that was in fact originally a half a circle) has four notes, right? One two three four, one two three four, and so on. A normal bar of music in 4/4 time (a.k.a. I had the advantage of learning in my childhood both systems of naming of musical notes, and the disjunction between them – not to mention their internal systemic weirdness – was one of my early clues that the established adult world was, shall we say, inconsistent. Oh, are those words unfamiliar? Depending on where you’re from, they may be. This is not absolutely true all the way, but look: breve, semibreve, minim, crotchet, quaver, semiquaver, demisemiquaver, hemidemisemiquaver. As the notes get shorter, their names get longer. On top of this, rgod also discovered identical vulnerable patterns in applications that leveraged the Chromium Embedded Framework, a platform similar to Electron.js. Not long after the publication of the fix, Tomas Lažauninkas ( discovered the Exodus wallet application is also affected. This vulnerability is chosen to be one of the top 5 bug of the year because the impact of it goes beyond the aforementioned 4 products. Since Electron pulled the patch from an unrelated repo, it appears as though rgod found a bug collision. This patch was merged from a downstream product that is not a relevant part of rgod’s submission. These four distinct vulnerabilities are all collectively mitigated by a patch from Electron.js known as CVE-2018-1000006. It is the cool, new kid on the block of cross-platform desktop application frameworks, or Chromium in disguise. Electron is a development framework that allows developers to write cross-platform desktop clients using Node.js. While they are vastly dissimilar products, they share one thing in common - Electron.js. This blog actually details multiple bugs in the Electron framework that ended up receiving the same CVE.Įarly December 2017, we received a collection of protocol handler related remote code execution vulnerabilities residing in Windows desktop clients of Google Web Designer ( ZDI-18-552), Microsoft Teams ( ZDI-18-426), Skype ( ZDI-18-308), and Slack ( ZDI-18-265) from our long time research partner rgod. Each of these bugs has some element that sets them apart from the approximately 1,400 advisories released by the program this year. This is the second in our series of Top 5 interesting cases from 2018. It's really very similar to any other portion of your life but the stakes are much higher because of a little thing called "gravity".īefore we launch into the more specific "how tos" of becoming a certified pilot I will quickly mention that there are two different roads you can take. Unexpected decisions based on fuel consumption, altitude, weight, weather, visibility, passengers, external stresses, mechanical issues, and a host of other unknown variables creep in on a daily basis, and a pilot needs to react appropriately. There are simply too many variables and changing scenarios for a concrete plan to work out every time. Flying the plane is the easy part, but honestly … a pilot is a decision maker. It's true, I think you could, but I don't think a monkey could land very well, and I am certain the monkey would fail "decision making 101". I've often said, "You could teach a monkey to fly". Some of this is learned, but much of it is inherent. The three that come to mind are eye-hand coordination, ability to multi-task, and most importantly, the ability to make good decisions under stress. I believe there are a few attributes necessary for success as a pilot. Just like, not everybody who wants to race NASCAR ought to race NASCAR. If you are considering the possibility of becoming a pilot keep in mind that not everybody who "wants" to fly "ought" to fly. The competition is fierce among pilots, and especially in commercial operations. For every person who wants to fly, there is somebody else who wants it more. The bad news is that it's such a great job there is a lot of competition. The good news is that being a pilot is a really great job that seldom gets dull. There is no doubt that I feel blessed to be where I am at. Some of the success' in my life are a result of hard work, but many are the result of other people's generosity in my life, and my proximity to good situations. I have worked hard since I was 18 years old so that I could make a living flying an airplane, and it has been a challenging road, just like any profession. I'm old enough to have squeezed nearly 5000 flight hours under my belt, but young enough to remember how I got here. These are obviously pretty huge questions with numerous answers and angles to pick from. How to become a pilot? How to become a commercial pilot? How to get a job once you are a commercial pilot? The is a donor-funded independent news organization in Alaska.Updated: SeptemPublished: September 10, 2013 In January, Raimondo issued eight disaster declarations covering Alaska fisheries between 20.īefore last month’s request, Dunleavy had already asked for five fishery disaster declarations this year, according to a tally kept by the National Marine Fisheries Service. “Disaster funding is certainly not a long-term alternative to a productive fishery and sustainable harvest, but it is a crucial way to support people, communities and their jobs while we simultaneously support rebuilding the crab stocks,” her letter said.įishery disaster declarations have become increasingly common as climate change affects fisheries here. This is the second year in a row without a fall Bristol Bay red king crab harvest, and it is the first winter without a snow crab harvest.ĭunleavy’s letter estimates the total lost fisheries revenue will be more than $287 million, and Peltola’s letter said the economic effects will be spread throughout western Alaska. The Alaska Department of Fish and Game canceled the crab fisheries last month, citing the low numbers of crab available to catch. Peltola asked Speaker of the House Nancy Pelosi and the chair of the House Appropriations Committee to include relief funding for crab fishermen and the crabbing industry in Congress’ year-end appropriation bill.ĭisaster relief funding could be available if Secretary of Commerce Gina Raimondo declares a fisheries disaster, and a day after Peltola’s request, Dunleavy formally requested that Raimondo declare a disaster.Ī spokesperson for Dunleavy’s office said the timing of the two requests was not coordinated. Mary Peltola has requested $250 million in relief funding after the failure of this year’s Bering Sea snow crab and Bristol Bay red king crab fisheries. Mike Dunleavy has requested a federal disaster declaration and U.S. Zoho Assist is multi-functional remote support software that helps you with remote support, access to unattended computers, and screen sharing. => Download SolarWinds Dameware Remote Support For Free
Overall, its powerful, effective, and relatively simple to use. My only gripe is that more advanced features can be really un-intuitive to find and use: adding titles is relatively easy, but it took me ages to figure out how to change the words on the title (despite extensive Googling), and it took me a while to find the button to change the way still images get framed (Rush does its own thing by default, so when its wrong its really wrong and I had to change it). The basic functionality is pretty intuitive, and similar to the old Premiere interface (which I remember was intuitive the first time I used it). Now I do just as well with Rush it has all the most useful features that a home editor (and even some pros) could need (multiple tracks, titles, include photos as well as video, trimming, simple but effective transitions etc etc). I used to use Adobe Premiere on a high end desktop twenty years ago it was the best available. Adobe online services require an internet connection, are not available in all countries or languages, and may be subject to change or discontinuation without notice. Use of Adobe mobile apps and online services requires registration for a free Adobe ID as part of a free, basic level of Creative Cloud membership. Your use of this application is governed by the Adobe General Terms of Use and the Adobe Privacy Policy Prorating is unavailable – when you turn off auto-renew, service will continue until the end of that month’s billing period.įree users can trial Premium features in videos but must upgrade to export. To stop service, go to your account Settings and turn off auto-renew at least 24-hours before the end of your billing period. The recurring monthly payment is automatically charged to your iTunes account. Unlock Premium features and add 100GB of cloud storage. Unlock hundreds of premium titles, overlays, and animated graphics to elevate your videos.Īuto reframe automatically detects and keeps the most important part of your videos in the frame when switching to different aspect ratios – perfect for sharing to social media.Īdvanced sharing automatically updates edits across all your mobile devices, and exporting in 4K is supported. Upgrade to Rush Premium to access all features and content for iPhone and iPad, including:Īdvanced tools powered by Adobe Sensei AI for sound balancing and auto-ducking. Share your creations with one click to TikTok, Instagram, and Facebook. All media in a sequence is automatically resized - ideal for Facebook and Instagram. Create impressive effects like picture-in-picture and split-view.Įasily resize videos to different aspect ratios, including landscape, portrait, square, and 4:5 for different channels. Change the colour, size, font, and more to make them your own.Ĭhoose from thousands of royalty-free, original soundtracks, sound effects, and loops to bring your videos to life.Įnjoy creative flexibility with multiple video tracks. Make your videos pop by simply selecting the start and end points on your still images, and changing the scale and position as needed.Īccess built-in animated graphics such as titles and overlays. Effortlessly create pan and zoom effects for images with one click. Adjust speed and enhance colour with intuitive presets and customisation tools. Easily trim and crop videos, flip and mirror video clips, and add images, stickers and overlays to video clips. Use it for free as long as you want with unlimited exports - or upgrade to access all premium features and hundreds of soundtracks, sound effects, loops, animated titles, overlays, and graphics.īuilt-in camera functionality lets you capture pro-quality videos right from the app and start editing immediately.Īrrange videos, audio, graphics, and photos with drag and drop. Share to your favourite social sites right from the app and work across iPhone and iPad. Powerful tools let you quickly create videos that look and sound professional, just how you want. Feed your channels a steady stream of awesome with Adobe Premiere Rush, the all-in-one app for creating and sharing videos - fast and easy. Navicat host name at the General settings page should be set relatively to the HTTP server which provided by your database hosting company.If the tunneling script is hosted in a password protected server or you have to access internet over a proxy server, you can provide the required authentication details in Authentication or Proxy tab.If your server installed a Web Application Firewall, you can check the Encode outgoing query with base64 option.Enter URL of the tunneling script, e.g.Navicat for MariaDB supports most of the additional features like new storage engines, microseconds, virtual columns, and more. Select the HTTP tab and enable Use HTTP Tunnel. Navicat for MariaDB provides a native environment for MariaDB database management and development.The following instruction guides you through the process of configuring a HTTP connection. To set up an HTTP tunnel, first upload the ntunnel_mysqli.php script to your web server. It is used while your ISPs do not allow direct connections, but allows establishing HTTP connections. HTTP Tunneling is a method for connecting to a server that uses the same protocol ( and the same port (port 80) as a webserver does. The ntunnel_mysql.php script that comes with current versions of Navicat (as of ) will not work with PHP7, as procedural mysql functions have been deprecated. This is an updated tunnel script for connecting to MySQL and MariaDB databases with Navicat for MySQL via mysqli. To get the newer script, follow these instructions. Navicat 12 provides more authentication mechanisms and high-performance environments so you never have to worry about connecting over an insecure network.- It is no longer recommended to use this script, now that Navicat ships an updated ntunnel_mysql.php script with Navicat for MySQL 12+. Support different authentication methods of database servers such as PAM authentication. The Navicat Site License Program (SLP) allows corporations or institutions the right to use a specific number of Navicat licenses concurrently in one physical location. Learn more Advanced Secure ConnectionĮstablish secure connections through SSH Tunneling and SSL ensure every connection is secure, stable, and reliable. With Navicat Cloud, you can leverage every minute of your day to maximize your productivity. Synchronize your connection settings, models, queries and virtual groups to our Navicat Cloud service so you can get real-time access to them, and share them with your coworkers anytime and anywhere. No matter where you are, you can always get the job done. Compile professional high-quality reports in minutes using an interactive design interface and efficient workflow, and set an automation for repeatable deployment process like report generation, database backup, and script execution at a specific time or day. Our powerful local backup/restore solution guides you through the backup process and reduces the potential for errors. Convert your databases into graphical representations using a sophisticated database design and modeling tool so you can model, create, and understand complex databases with ease. Intelligent Database DesignerĬreate, modify and manage all database objects using our professional object designers. Code fast with Code Completion and customizable Code Snippet by getting suggestions for keywords and stripping the repetition from coding. Visual SQL Builder will help you create, edit and run SQL statements without having to worry about syntax and proper usage of commands. Navicat gives you the tools you need to manage your data efficiently and ensure a smooth process. Add, modify, and delete records with our spreadsheet-like Grid View together with an array of data editing tools to facilitate your edits. Export data from tables, views, or query results to formats like Excel, Access, CSV and more. Use Import Wizard to transfer data into a database from diverse formats, or from ODBC after setting up a data source connection. Set up and deploy the comparisons in seconds, and get the detailed script to specify the changes you want to execute. Compare and synchronize databases with Data and Structure Synchronization. Deliver detailed, step-by-step guidelines for transferring data across databases. Features Seamless Data Migrationĭata Transfer, Data Synchronization and Structure Synchronization help you migrate your data easier and faster for less overhead. Connect to local/remote MariaDB servers, and compatible with Amazon RDS. Navicat for MariaDB provides a native environment for MariaDB database management and development. The company is owned by six founders and other employees, of whom three are also full time employees. In this way, we provide the lowest acquisition price and highest throughput, along with an impressive array of test engineering tools. Our goal is to offer targeted test solutions that meet our customers’ needs for low-cost test equipment for specific product segments. Black Hills Corporation was founded in 1941, has a market capitalization of just under 5 billion, and generated revenue of close to 2 billion in 2021. (FTI) was founded in August 2006, with the mission to apply a ‘focused technology’ approach to the design of production testers for power discrete devices and power management IC’s. Mission and Corporate Structureįocused Test, Inc. Im a long time cyclocross and road rider, and am just getting into mountain biking. I finally found a Focus dealer with two 2010 Black Forests in my size, but neither of which is the Expert. We maintain an Asia engineering support and logistics center located in Metro Manila, Philippines. Ever since I saw the JensonUSA sale of the 2010 Focus Black Forest Expert model for 1,050, Ive been looking for that bike in my size on the net. Our company headquarters are located in Boulder, Colorado and we have an applications engineering office in San Jose California. Our engaged team delivered solid financial performance and positioned the company for. France Tlcom, Fraunhofer Fokus, Frederick Institute of Technology, Free. 2019 was a year of significant accomplishment for Black Hills Corp. Focused Test designs, manufactures and supports a family of power discrete and analog IC ATE (Automatic Test Equipment). Biznet Networks, Black Duck, Black Duck by Synopsys, Black Duck Software. M2A-VM + AHCI = trouble? Because u must have to reinstall ur windows in order to install ur sata controllers driver. (You can override this, if necessary.ASUS Member ID: Password: Forgot. This is handy for laptop users who need to work away from the local network.įont-use licenses are also managed by the server-it requests license information every time a font is added, and will not automatically distribute more copies of the font than you have a license for. Fonts stored on the server are copied to local computers when activated, but in a form that can’t be shared with others and access time can be limited so as not to run afoul of licensing agreements. It installs as a preference pane on your Mac, and simply adds new features to the FontExplorer X client on that Mac. If your corporate server has an LDAP directory, it can import all the users and groups from it.Ī power user can choose to see plenty of information note that the Activation Control area shows which fonts were requested by which applications. The server lets you set up users and groups, and assign any combination of privileges to them. The server can run on any computer, and is administered through the client program. Organizations with more than a few users will want to employ the server version of FontExplorer X. Just like other leading font managers, FontExplorer X employs two programs: an invisible engine that activates at log-in to handle activation requests, and the application itself, which lets you manage your fonts and sets. The plug-ins manager is especially useful, because if the plug-ins are updated during an overall FontExplorer X update, they can be automatically pushed out to the applications that use them. The program has tools to clear your Mac’s font caches, optimize the database, and manage plug-ins. These features make it much easier to set up and support multiple designers in a workgroup, or to give you peace of mind that your carefully crafted font environment can be quickly recreated in an emergency-or on your laptop. It can even create a Quick Installer of your configuration and fonts to install on other computers. It can also export your current window configuration, which can then be applied in whole or in part on another Mac. Administrator toolsįontExplorer X can export a backup of all your preferences and fonts, and then restore them on your Mac or copy them to another Mac. That makes it much easier to figure out which fonts to keep activated all the time. One of my favorite features is that it keeps track of which fonts each application has requested for activation. It can then create a new set from those fonts, activate them, or even let you purchase them if they’re not already in your library. It can identify fonts used in many kinds of documents, including RTF, PDF, EPS, SVG, Adobe InDesign CS2/CS3/CS4, and Apple Pages and Keynote. Another is the Font Detector, available under the File menu. One welcome feature is Application Sets, which can activate certain fonts when a specific application is launched, and then optionally deactivate them when the application quits. SetsĬreating and adding fonts to sets is simple, and smart sets provide a real-time collection of all the fonts that contain specific characteristics. You may also purchase fonts from within FontExplorer X in a process very similar to using the iTunes Store.īut the impressive thing about FontExplorer X is the level of control you have over how imported fonts are treated. You can also leave the font files in place on your hard drive and let the program simply point to them. You can choose whether the program copies the fonts into its own Archive folder or moves them (thus deleting the original files). (Note that pricing for the server version varies based on the number of seats licensed, number of fonts licensed, duration of the contract, and other issues.)Īdding fonts is as simple as dragging them onto the FontExplorer X window. (From April 2006 through December 2007, Linotype offered a much simpler FontExplorer X version for free.) This review primarily focuses on FontExplorer X Pro, but will cover the Server version as well. But when you need to customize it, you’ll find hundreds of ways to do so.įontExplorer X comes in two versions: FontExplorer X Pro, a $79 standalone font manager and FontExplorer X Server, which uses FontExplorer X Pro as a front-end client. But that’s not to say it’s bloated with features-in its default setup, FontExplorer X is straightforward and easy to use. It’s as if the developers asked hundreds of designers and prepress professionals what they wanted, and then delivered everything on the list. FontExplorer X Pro 2.0.1 is the most advanced, feature-complete font-management tool I’ve ever seen-and I’ve used almost all of them. |
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